Bluegrass Unlimited, February 2008
"Big
Darlin’” is a dynamic offering of bluegrass that should attract
new audiences for the Downtown Mountain Boys"
Read the full review.
Pete
Goodall, KBCS F.M., December 2007:
Top Ten
Bluegrass Recordings of 2007. Big Darlin' was rated the
fourth best bluegrass recording of 2007, and Dave Keenan's
"Sometimes Dig for Taters" was rated the sixth best bluegrass
song of the year. "What a group! They have three
of the most talented singers along with two outstanding
sidemen." Here is Pete's List:
The Infamous Stringdusters: Fork In The Road,
Sugar Hill-
John Reischman & The Jaybirds: Stellar Jays, Corvus
The Downtown Mountain Boys: Big Darlin’, Self
Tony Trischka: Double Banjo Bluegrass Spectacular, Rounder
Larry Sparks: The Last Suit You Wear,
The Dappled Grays: Doin’ My Job, Self
Steve Gulley: Sounds Like Home, Lonesome Day
Steep Canyon Rangers: Lovin’ Pretty Women, Rebel
The Bluegrass Brothers: Appalachian Memories, Hay Holler
Larry Cordle: Took Down and Put Up, Lonesome Day
Tom Petersen,
Victory Music Review, August 2007:
The
Downtown Mountain Boys are Paul Elliott, Don Share, David
Keenan, Terrence Enyeart and Tom Moran, the cream of
Seattle-area pickers, top teachers, session musicians, and
musicologists . . . so the release of their latest, Big Darlin’
comes with weighty expectations. Happily, they make it sound
easy, as great musicians can. Big Darlin’ is a solid slice of
real, straight-ahead Bluegrass, with only the faintest hints
that the band members do some work outside the genre
(banjoist Keenan, who made his name in rockabilly and sports
Seattle’s most iconic haircut, can’t help singing like Lefty Frizzell). The disc features a couple numbers by award-winning
songwriter and former Seattleite Nancy Riccio, including the
scorching opening cut, “Back in the Black,” which is about how
payday means not just solvency but a general lifting of spirits.
Most of the disc is wisely chosen material from a variety of
County and Bluegrass sources, like Jesse Fuller’s “99 Years and
One Dark Day” and “Till the End of the World Rolls Around.” The
cuts are committed with the drive and verve Bluegrass needs, but
just to be different, DTMB does the usually-hyper “Black Eyed
Suzie” as a slow country lope. Fiddler Paul Elliott penned the
title track, while Keenan contributes a fascinating, hilarious,
philosophical piece of cornpone Zen, “Sometimes Dig for Taters.”
Big Darlin’ is the big local Bluegrass release of the summer,
and should go national. It’s big, darlin’.
George
McKnight, Uptown Bluegrass Featured Artist of the Month
From the
barn-burning licks of the opening song, "Back in the Black," to
the tasty fiddling' of Paul Elliott on the self-penned title
tune, "Big Darlin," and everything in between, this is one fine
CD of bluegrass music by the Downtown Mountain Boys. This
group is based in Seattle, WA., a city of hills, mountains, and
valleys . . . hence the name.
The music
on this CD is very true to the sound the band produces on stage
in live concert shows. It's a very tight sound delivered
with the confidence that comes with many years of working
together to hone a great sound. Paul Elliott
on fiddle, is smooth and powerful, determined to be a good
fiddler in all styles and forms. Paul is a much-in-demand
session fiddler and showcases his talents in several
Northwest-area bands. Terrence Enyeart, a mainstay
of traditional bluegrass in his home area is an accomplished
bass and mandolin player, plus he is a great lead singer and
songwriter. His background includes stints in "Rural
Delivery" and "Brother's Keeper." Terrance is an
accomplished songwriter and that is evident with his tune "Holy
Beacon." David Keenan, is a powerhouse picker on
banjo, mandolin, guitar and other instruments, and is also a
good singer and songwriter. A professional entertainer
with many bands over the years, David brings a great sense of
humor to the band and his on-stage work is entertaining and fun.
Don Share on the six string guitar is a class act all the
way. His guitar pickin' is "clean and decent" and it
mirrors his vocal work. Tom Moran on mandolin is
strong and steady, a total complement to the sound of the band.
Fourteen
Songs on the CD showcase the band very well. Original
material: "Bug Tussle" (a great banjo tune from David Keenan),
"Sometimes Dig for Taters," and "Big Darlin," a super fiddle
tune from Paul Elliott, and the aforementioned "Holy Beacon"
from Terrance Enyeart. Well presented covers from other
writers include "99 Years and One Dark Day" by Jesse Fuller,
"Till the End of the World Rolls Round" by Thomas Newton, and a
great rendition of a Johnny Cash song, "Train of Love," ...great
fun.
Every song
features crisp and clean pickin' with great lead vocal work on
duets and trios. The album liner notes are a bit sparse,
and hopeful future recordings will include more background on
the band members and the songs.
Great
songs arrangements, singing, picking, and overall production.
This is a super CD and presents the talents and skills of a fine
band. Be sure to bookmark "Big Darlin" from the
Downtown Mountain Boys for your next CD purchase.
Order at
www.downtownmountainboys.com.
Andy
Boynton, Arches Magazine (Winter 2008)
Big Darlin’
comes crammed with catchy, upbeat, finger-picking fun, along
with serious chops; it’s easy to like.
Roger
Weinheimer, CDBABY.COM
I love
listening to this CD and singing along. All the tunes are very
catchy. From payday to pulpit, they cover it all with hard
hitting licks and witty lyrics. A must have for the discerning
bluegrass fan.